Unravelling the Ark, the Shroud and Mary

In the last few years I have researched and written on several ancient and not so ancient mysteries. I have delved into the black heart of Nazi secret societies and uncovered the existence of the present day Holy Vehm; I have sought out the secret of Solomon?s Temple and come away with sacred paths; I have even caused huge controversy in the realm of serpent lore. But, there were certain mysterious relics, existent and non-existent, that I had no intention of trying to disentangle and two of these were the Ark of the Covenant and the Shroud of Turin. Fate however often has a peculiar habit of dealing out joker cards and I pulled out a whole pack of them.
It all started in Winchester, England. I was there to give a speech. Having stayed the night before in a hotel, I awoke early and decided to take a walk around the wonderful cathedral to kill time.
I took with me my new digital camera in the hope that I might get some shots for a DVD I was working on at the time called Gnosis: The Secret of Solomon?s Temple Revealed released by Reality Entertainment. Walking around like a zombie tourist with my eyes peeled for images of the Temple, Solomon, Sheba and all-manner of esoteric devices I eventually arrived at a beautiful image of Prudence holding aloft a serpent and with two faces, one of a man and one of a woman. It was the beauty of Oneness, of the dual nature in man united by the power or energy of the inner serpent - a concept widely spoken of in literature and on the internet. This was something Gnostics and mystics have spoken of for hundreds of years. I took a few photographs and then noticed something else. To the left on the same mausoleum was a beautiful image of Moses and the Jews carrying the Ark of the Covenant across and before the Great Pyramid in Egypt. It was a wonderful picture and something inside told me that there was a secret being told, especially as this was part of the same creative work of art as the Prudence statuette. And so I walked around the whole thing and on the other side discovered another carving, this time of Jesus emerging from the tomb with his Shroud about him. At that moment all the research I had done on the ancient mysteries came together in one blinding flash of inspiration and I suddenly realised the truth of the Ark. It struck me there and then that the whole design was an esoteric work of art, revealing the Ark of the Old Testament and the one of the new. In the following months I gathered around me all the books and sources available on the Ark, the Shroud and the sacred feminine principle of Mary.
You see the Ark itself I found was derived from a much older tradition, stretching right back into Egypt and beyond and the reason for this was because it was a natural part of man himself. Solar b?arques or Arks would daily travel through the Otherworld carrying the deity and bringing him back for new life the following day. It was a re-creative process of the sun, and internally of our very selves, as we too disappear mentally in the darkness of sleep. The sun of God would travel into darkness and re-emerge with new life each day. In the same way God himself was encased in the Ark of the Covenant and would be seen as the shining light of the sun. In the same way God as Jesus was placed in the Otherworld or Underworld tomb within the Shroud, which then carried his image, placed there by light. And Mary too, was the one who would carry the divine within her womb, to bring forth the light once again.
All of this esoteric language was united in symbolism, but I wanted more. I knew that man in his various ways had always manifested the inner world in art, architecture, music and texts and so I wanted to know; had man manifested these symbolic objects such as the Ark or Shroud physically?
My research lead me through a world that many before had travelled and yet I discovered that there had been such a lot of information missed, because the links had not been understood properly. There is simply not enough space in one article to reveal all the discoveries and so I will choose one element ? the Shroud.
Ever since the carbon dating of the infamous Shroud of Turin in the 1980?s, which placed the linen cloth in the 13th/14th centuries, many had presumed that was the end of the tale. Others had stated that the image was that of Leonardo da Vinci or even that of the Grand Master of the Knights Templar. However, the evidence I discovered would throw this dating out of the window and bring it back again into the 1st century AD. It appears that following the carbon dating, many researchers had shown how the scientists themselves had not been telling the whole truth and had in fact known which of the various test linens was from the Shroud. This itself discredits the tests in many ways. However, the Shroud of Turin Research Project found that the image was in fact not made up of any physical substance such as paint or pigment. It was in fact an alteration of the surface of the linen by some effect of light or radiation, something which also makes linen turn yellow.
In a letter to the editor of Nature magazine on 16th February 1989 Dr. Thomas J. Phillips of Harvard University posited the following explanation that the body of the man in the Shroud:
"?may have radiated neutrons, which would have irradiated the Shroud and changed some of the nuclei to different isotopes by neutron capture."
In fact, what I discovered was that an altered state of consciousness brought on by beating or other forms of physical extreme could also excite the atoms within the body, stimulating heat generation. This process I discovered also aids the escape of neutrons from the atom, thus causing neutron radiation as proposed by Dr. Phillips. Add into this the embalming fluids used on the body and a process of magnification aided in the creation of the almost photographic image on the Shroud itself.
This neutron radiation would in fact have ruined any possible chance of dating the Shroud correctly and now places it back again in the 1st century as I reveal in the book.
I was now coming to some peculiar conclusions. Could it be, I wondered, that the image on the Shroud was that of an adept who had been in a state of ecstasy and who had emitted radiation?
The man in the Shroud had been beaten to a pulp, nailed to a cross and was surely near death.
There is little wonder that the Ark, the Shroud and indeed even the God-bearer herself ? Mary ? were all depicted in art as emitting light ? for they all carried the symbol of the sun - the light. They were all esoteric devices of a truly human experience that has been misinterpreted for hundreds of years because of our own perceptions. Linked with the life giving rays of our own solar power the union of these devices is one of the most profound stories on planet earth and it is the subject of the journey to discover them that is in the forthcoming Book and DVD The Ark, The Shroud and Mary.
Note
None of the research carried out for this book would have been possible without the great works of many authors, past and present. There is not a book written, nor a theory come to that does not owe thanks to those who went before - whether a friend in the pub who passes on shamanic words of wisdom, a previous co-author, a book you once read, a film, a club, a church visited or even some subliminal memory of something or somebody forgotten. I have been able to personally thank most of them, but for those I cannot get to or who died out many years ago then I offer my thanks now. The people who helped with this book are credited in the book, and below:
My good friend Crichton Miller, Graham Phillips, Graham Hancock, Stuart Munro-Hay, the modern mystic and writer Gary Osborn who virtually re-wrote The Shining Ones last year into a modern mystics classic, Gopi Krishna, Ian Wilson, Warren Croyle, Eliphas Levi, Paracelsus, Hugh Schonfield, David Rohl, Alan Alford, Dr John Jay Harper, my great Sufi friend who is both the most marvellous man and incredible mind I have ever come across and many more. If I have missed anybody, please let me know immediately, never done intentionally.
The DVD is released by Reality Films, part of Reality Entertainment and along with the book will be available across the internet stores and distributed throughout Barnes and Noble with front of store placement.
The DVD is available here or call 866 585 1355 toll free or email books@reality-entertainment.com
Or get the book signed here (anywhere in the world) by visiting www.gardinersworld.com
Here's a couple of reviews:
Last I knew, the Ark was in Ethiopia where Graham Hancock had tracked it down to. Man was I wrong. This DVD (and the book) completely blew all that away and so much more. In fact, it really did make the other theories look almost mad. Gardiner has a way of making things that are incredibly profound appear so logical - because they are. The truth of all this has almost been right in front of our eyes and yet we all missed it. Brilliant DVD that I could watch again and again - come to think of it, I will right now.
Robert Kintrade, Edinburgh, 32rd degree
Just when you think that Gardiner couldn't come up with anymore secrets he does it again with this beautiful DVD. Not only is it profoundly insightful and full of revelations that made me personally sit bolt upright, but it is also full of fantastic music and incredible imagery. Once again we follow Gardiner on his global treck as he traverse Egypt, Ethiopia, India and
Europe to evaporate one theory after another and bring to us some remarkable and brand new insights. I will never read the Bible or see the Shroud in the same way again - simply mind blowing.
Rev. John Sinclair, Prague
Labels: ark, cameron secret jesus tomb ark shroud mary gardiner

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